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海国图志》的作者是魏源。魏源是我国清朝时期著名的思想家,被世人誉为“近代中国睁眼看世界第一人”,而其创作的《海国图志》更是当时介绍西方国家的科学技术和历史地理最详实的专著。我国记录魏源的古代传记片于2016年2月拍摄,共40集。

魏源简介

魏源名远达,字默深、墨生、汉士,号良图,汉族,湖南省邵阳市隆回县司门前(原邵阳县金潭)人。清代启蒙思想家、政治家、文学家。道光二年(1822年)举人,道光二十五年(1845年)始成进士。

魏源官晚年弃官归隐,潜心佛学,法名承贯。近代中国“睁眼看世界”的首批知识分子的代表。

魏源认为论学应以“经世致用”为宗旨,提出“变古愈尽,便民愈甚”的变法主张,倡导学习西方先进科学技术。并提出了“师夷长技以制夷”的主张,开启了了解世界、向西方学习的新潮流,这是中国思想从传统转向近代的重要标志。

【英文介绍/For English】:

The author of "Pictures of Sea Country" is Wei Yuan. Wei Yuan was a famous thinker during the Qing Dynasty in my country, and was praised by the world as "the first person in modern China to open his eyes to see the world", and his "Pictures of Sea Countries" was the most detailed monograph introducing the science, technology, history and geography of Western countries at that time . my country's ancient biopic recording Wei Yuan was filmed in February 2016, with a total of 40 episodes.

<strong>Brief introduction of Wei Yuan

<p>Wei Yuan’s name is Yuanda, his style name is Moshen, Mosheng, Hanshi, his nickname is Liangtu, Han nationality, he was born in Simenqian, Longhui County, Shaoyang City, Hunan Province (formerly Jintan, Shaoyang County). Enlightenment thinkers, politicians, and writers in the Qing Dynasty. He was promoted in the second year of Daoguang (1822), and became a Jinshi in the 25th year of Daoguang (1845).

In his later years, Wei Yuanguan abandoned his official position and returned to seclusion, devoted himself to Buddhism, and inherited his Dharma name. Representatives of the first batch of intellectuals who "opened their eyes to see the world" in modern China.

Wei Yuan believed that the theory of learning should be based on the principle of "practicing the world", and put forward the reform idea of ​​"making the ancients more perfect and more convenient for the people", advocating the study of advanced western science and technology. He also put forward the idea of ​​"learning from barbarians to improve their skills to control barbarians", which opened up a new trend of understanding the world and learning from the West, which is an important symbol of Chinese thought turning from tradition to modernity.