很多朋友对于梦华录：全剧成长最大的人，非三娘莫属？《梦华录》最新剧情中和不太懂，今天就由小编深海之幽来为大家分享，希望可以帮助到大家，下面一起来看看吧！

《梦华录》最新剧情中，盼儿受到感情和事业上接连的打击，心气散了，萌生出回钱塘的想法，三娘一语将其惊醒，既然当初可以当欧阳旭死了，现在也可以当顾千帆死了。这样的话，也只有心死过的三娘才能对盼儿说出来。于是，姐妹们重整旗鼓，和池衙内联手搞事业。

三娘是商贾出身，士农工商中商乃末流，社会地位不高。当年傅新贵穷的连聘礼钱都出不起，三娘靠杀猪攒钱，好不容易攒齐了一贯钱交给傅新贵，让他拿去做生意，他才能有钱上门提亲。不想傅新贵婚后却嫌弃她，三娘将全部的希望都寄托在儿子傅子方身上，希望儿子好好读书，将来能高中进士，加官进爵，为她请封诰命，给她挣得凤冠霞帔。

三娘想要凤冠霞帔，是想挣得身为女子的尊严和荣耀，只是将这荣耀寄托于儿子身上，终究是不牢靠的。年龄尚小的子方不能忍受母亲一味逼他读书，在傅新贵给三娘写下休书时，还维护傅新贵，认为傅新贵和陶氏是清白的，陶氏待他好，而三娘只会一味逼他读书，不是个好娘亲。

被老公和儿子抛弃的三娘想回娘家，可娘家的房子塌了，走投无路的三娘在绝望之下投河自尽，幸被盼儿救起。

不破不立，破而后立，原先的幻想被打破，三娘才慢慢觉醒，认识到要靠自己。三娘到了东京，自己的果子被客栈老板娘和客人们追捧，她意识到自己也能创造价值，能靠自己的本事恰饭。及至和盼儿、引章一起开茶楼，三娘已经深深地认同女子贵在自立。

不过这时的三娘，仍然未能将自己和儿子分割开，没有认识到儿子是一个独立的个体。招娣的一句戏言，你靠儿子就不是靠男人了吗，显然引发了三娘的深思。相信后面的剧情中，会展现三娘思想上的觉醒和她进一步的成长。

相比盼儿的女主光环，三娘显然更接地气，是一个普通人为了更好的生活一步步艰辛的成长，生活打破了她曾经的所有幻想，可来到东京汴梁，又有了闹热的、新的希望。在东京，有手艺就能活下去。在三娘这样的小人物身上，能看到更接近历史真实的繁华东京。

【英文介绍/For English】：

In the latest plot of "Menghualu", Pan'er was hit by a series of emotional and career blows, and her heart sank, and she came up with the idea of ​​returning to Qiantang. Sanniang's words woke her up. It can be regarded as Gu Qianfan's death. In this case, only the heartbroken Sanniang can tell Pan'er. So, the sisters regrouped and joined forces with Chi Yanei to start a business.

Sanniang was born in a merchant, and she was a low-ranking merchant among scholars, farmers, businessmen, and merchants, and her social status was not high. Back then, Fu Xingui was so poor that he couldn't even afford the dowry money. Sanniang saved money by killing pigs, and finally saved all the money and handed it to Fu Xingui to use it for business, so that he could come to propose marriage. Not wanting Fu Xingui to dislike her after marriage, Sanniang pinned all her hopes on her son Fu Zifang, hoping that his son would study hard, and in the future he would be a scholar in high school, an official and a nobleman, and ask for an imperial order for her, so that she could earn a phoenix crown and a xiapei. .

Sanniang wanted the phoenix crown and Xiapei because she wanted to earn the dignity and glory of being a woman, but it would be unreliable to entrust this glory to her son. Zifang, who was still young, couldn't stand his mother forcing him to study blindly. When Fu Xingui wrote Sanniang's divorce letter, he also defended Fu Xingui, thinking that Fu Xingui and Tao were innocent, Tao treated him well, and Sanniang It's not a good mother to just blindly force him to study.

Sanniang, who was abandoned by her husband and son, wanted to go back to her natal home, but the house of her natal family collapsed, and Sanniang threw herself into a river in desperation. Fortunately, she was rescued by Pan'er.

If you don't break, you can't stand, and if you break, you can build. The original fantasy was shattered, and Sanniang slowly awakened, realizing that she had to rely on herself. When Sanniang arrived in Tokyo, her fruit was sought after by the proprietress of the inn and the guests. She realized that she could also create value and rely on her own ability to make a living. By the time she opened a teahouse with Pan'er and Yinzhang, Sanniang deeply agreed that the most important thing for a woman is to be self-reliant.

However, at this time, Sanniang still failed to separate herself from her son, and did not realize that her son was an independent individual. Zhaodi's joke, "If you rely on your son, don't you rely on a man?" It obviously aroused Sanniang's deep thinking. I believe that in the following plots, Sanniang's ideological awakening and her further growth will be shown.

Compared with Pan'er's heroine halo, Sanniang is obviously more down-to-earth. She is an ordinary person growing up hard step by step for a better life. Life has broken all her fantasies. But when she came to Bianliang, Tokyo, she had another Noisy, new hope. In Tokyo, you can live with your craft. In little people like Sanniang, we can see the bustling Tokyo that is closer to the historical reality.