据哈哈娱乐网网站「水洗晴空」消息，近日，从三娘和招娣看北宋东京女子风貌？《梦华录》改编自关汉卿的元杂剧《赵盼儿风月救风尘引发热议，同样引起许多争议，对此众网友各抒己见。但到底是怎么回事呢？哈哈娱乐网为您解答。

《梦华录》改编自关汉卿的元杂剧《赵盼儿风月救风尘》，赵盼儿和宋引章是关汉卿原作中的人物，救风尘的故事电视剧前6集就讲完了，后面就是一个全新的故事了。电视剧中加入的三娘和招娣这两个人物，都是爱憎分明、言谈爽利又泼辣能干的女子，不比盼儿的主角光环和引章的小女儿情态，更接近宋朝时崛起的市民阶层的形象，从她们身上我们或许可以一窥北宋时东京女子的风貌。

三娘做的一手好果子、好菜、好汤水，还曾杀猪攒钱给傅新贵做生意，可惜她的负心汉老公不知道珍惜，只贪图寡居的陶氏的钱财，为了她把三娘休了，不懂事的儿子子方只知道埋怨娘亲逼她读书，也没有站在三娘这边。三娘投河自尽被盼儿所救，后和盼儿一起来到东京。

宋朝时商品经济得到了空前的发展，中国是当时世界上经济最发达的国家。工商业和手工业的发展促进了商业的繁荣，自然也提供了更多的就业岗位。三娘的好厨艺到了东京自然也不会被埋没，她做的果子被客栈老板娘和客人们追捧，让她意识到自己也能创造价值，能靠自己的本事恰饭。

如果说三娘是因为自己跌过跤所以求自立，那么小小年纪的招娣可能更多是受当时社会风气的影响所以早早谋算着给自己攒嫁妆。招娣有一个不幸的原生家庭，她的母亲重男轻女，只把女儿当做挣钱工具，所以招娣提到家里人时总咬牙切齿地称家里人都死光了。尽管如此，招娣对于她娘提到的女子嫁妆多嫁到夫家才会有地位还是深深认同的，这一点也符合宋代的厚嫁之风。招娣在对陈廉产生情愫后就开始为自己的将来打算了，在婚恋态度上，招娣和三娘很像，一点都不扭捏，三娘也曾说过，自己才三十岁出头，为什么不能再嫁人。

这样的一种底气，都是在自己能谋生之后才产生的，只有不需要依傍别人，才敢大胆追求属于自己的幸福。北宋名臣、书法家蔡襄曾慨叹，“观今之俗，娶其妻不顾门户，直求资财。”由此可以看出商品经济的发展对传统婚姻观产生的冲击。盼儿在要经营酒楼前，调查到许多官员的家属都会参与到酒楼的经营中，历史上，宋朝时的确有许多官员及其家属参与到商业活动中，带动着社会上经商风气日盛。

在三娘和招娣这样的新兴市民阶层身上，我们看到了东京最具烟火气的一面，热闹、繁华的、人人都有过上好日子的盼头。

【英文介绍/For English】：

"Meng Hua Lu" is adapted from Guan Hanqing's Yuan Zaju "Zhao Pan'er Fengyue Saves the Wind and Dust". Zhao Pan'er and Song Yinzhang are the characters in Guan Hanqing's original work. The first 6 episodes of the TV series have finished the story of saving Fengchen, and the following is a brand new story. The two characters Sanniang and Zhaodi added in the TV series are both sharp and capable women with clear love and hatred, sharp speech, and are no more similar to the rise of the citizen class in the Song Dynasty than Pan'er's protagonist Halo and Yinzhang's youngest daughter. From them, we may have a glimpse of the style of Tokyo women in the Northern Song Dynasty.

Sanniang cooks good fruits, vegetables, and soups. She even slaughtered pigs to save money for Fu Xingui's business. Unfortunately, her heartbroken husband doesn't know how to cherish it. He only covets the widowed Dow's money. Divorced, the ignorant son Zifang only blamed his mother for forcing her to study, and did not stand on Sanniang's side. Sanniang threw herself into the river and was rescued by Pan'er, and then came to Tokyo with Pan'er.

The commodity economy developed unprecedentedly during the Song Dynasty, and China was the most economically developed country in the world at that time. The development of industry, commerce and handicrafts promoted the prosperity of commerce and naturally provided more jobs. Sanniang's good cooking skills will naturally not be buried in Tokyo. The fruits she cooks are sought after by the proprietress of the inn and the guests, making her realize that she can also create value and can rely on her own skills to make a living.

If it is said that Sanniang wanted to be self-reliant because she fell down, then Zhaodi at a young age may be more affected by the social atmosphere at that time, so she planned to save her dowry early. Zhaodi has an unfortunate native family. Her mother valued sons over daughters and only used her daughter as a tool for making money. Therefore, when Zhaodi mentioned her family members, she always gritted her teeth and said that they were all dead. Despite this, Zhaodi still deeply agrees with her mother's mention that women who marry more dowry will have status in their husband's family, which is also in line with the style of generous marriage in the Song Dynasty. Zhaodi began to plan for her future after she fell in love with Chen Lian. In terms of marriage and love attitude, Zhaodi and Sanniang are very similar, and they are not shy at all. Sanniang also said that she is only in her early thirties. Why can't you marry again.

This kind of confidence is only produced after you can make a living. Only when you don't need to rely on others can you dare to boldly pursue your own happiness. Cai Xiang, a famous official and calligrapher in the Northern Song Dynasty, once lamented, "Looking at the current customs, marrying a wife ignores the family and asks for wealth." From this we can see the impact of the development of the commodity economy on the traditional concept of marriage. Before Pan'er wanted to run the restaurant, she found that many officials' family members would participate in the operation of the restaurant. Historically, during the Song Dynasty, many officials and their family members did participate in commercial activities, which led to the prosperity of business in the society.

In the emerging citizens like Sanniang and Zhaodi, we see the most smoky side of Tokyo. It is lively, prosperous, and everyone has the hope of living a good life.